n 1977, Milk was elected to the San Francisco Board of Supervisors, making him one of the first openly gay elected officials in the United States. His career was tragically cut short nearly a year after he took office, when he and San Francisco Mayor George Moscone were assassinated.
The stamp art centers on a photo of Milk taken in front of his camera store in San Francisco. The colors of the gay pride flag appear in a vertical strip in the top left corner.
A commitment to serving a broad constituency, not just gay people, helped make Milk an effective and popular leader. He was an eloquent speaker with a winning sense of humor and was able to build coalitions between diverse groups. His achievements gave hope and confidence to gay people at a time when the community was encountering widespread hostility.
Milk believed that government should represent all citizens, insuring equality and providing needed services. In the years since his death, there have been hundreds of openly lesbian, gay, bisexual, and transgender public officials in America. In 2009, President Barack Obama posthumously awarded Milk the Medal of Freedom.
Photographer Daniel Nicoletta took the photograph used in the stamp art, which was designed by art director Antonio Alcalá.
The Harvey Milk stamp is being issued as a Forever® stamp. This Forever stamp will always be equal in value to the current First-Class Mail® one-ounce rate.
† Criminal InJustice is a weekly series devoted to taking action against inequities in the U.S. criminal justice system. Nancy A. Heitzeg, Professor of Sociology and Race/Ethnicity, is the Editor of CI. Kay Whitlock, co-author of Queer (In)Justice, is contributing editor of CI. Criminal Injustice is published every Wednesday at 6 pm.
The Time Has Come Editor’s Note from nancy a heitzeg
Let us reflect on this recent history, not on what has been won, but what is left to be done. A History, that is neither some disregarded dustbin, nor a mausoleum/museum filled with past relics of partial victories.
Eyes on the Prize: The Time Has Come (1964-66)
After a decade-long cry for justice, a new sound is heard in the civil rights movement: the insistent call for power. Malcolm X takes an eloquent nationalism to urban streets as a younger generation of black leaders listens. In the South, Stokely Carmichael and the Student Nonviolent Coordinating Committee (SNCC) move from “Freedom Now!” to “Black Power!” as the fabric of the traditional movement changes.
“We Animals is an ambitious project which documents, through photography, animals in the human environment. Humans are as much animal as the sentient beings we use for food, clothing, research, experimentation, work, entertainment, slavery and companionship. With this as its premise, We Animals aims to break down the barriers that humans have built which allow us to treat non-human animals as objects and not as beings with moral significance. The objective is to photograph our interactions with animals in such a way that the viewer finds new significance in these ordinary, often unnoticed situations of use, abuse and sharing of spaces.
Since the conception of the project, stories and photographs for We Animals have been shot in over 40 countries and the photos have contributed to almost 100 worldwide campaigns to end the suffering of animals.”