Banned Ted Talk: The Science Delusion, Rupert Sheldrake at Whitechapel
the idea is that each species, each member of a species draws on the collective memory of the species, and tunes in to past members of the species, and in turn contributes to the further development of the species. So in the case of a potato, you’d have a whole background resonance from past species of potatoes, most of which grow wild in the Andes. And then in that particular case, because it’s a cultivated plant, there’s been a development of a whole lot of varieties of potatoes, which are cultivated, and as it so happens potatoes are propagated vegetatively, so they’re clones.
So each clone of potatoes, each variety, each member of the clone will resonate with all previous members of the clone, and that resonance is against a background of resonance with other members of the potato species, and then that’s related to related potato species, wild ones that still grow in the Andes. So, there’s a whole kind of background resonance, but what’s most important is the resonance from the most similar ones, which is the past members of that variety. And this is what makes the potatoes of that variety develop the way they do, following the habits of their kind.
Usually these things are ascribed to genes. Most people assume that inheritance depends on chemical genes and DNA, and say there’s no problem, it’s all just programmed in the DNA. What I’m saying is that that view of biological development is inadequate. The DNA is the same in all the cells of the potato, in the shoots, in the roots, in the leaves, and the flowers. The DNA is exactly the same, yet these organs develop differently. So something more than DNA must be giving rise to the form of the potato, and that is what I call the morphic field, the organizing field.
~ In the Presence of the Past: An Interview with Rupert Sheldrake
Wrong Turn: Biologist Rupert Sheldrake On How Science Lost Its Way
Morphic Resonance: Rupert’s Resonance, Scientific American
On-line Experiments to Change the World
Rupert Sheldrake Interviews